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“A poet of fantastic inversions.” Poetry London

“Multifaceted, mega-fabricated, louche architecture.” Magma

“Voraciously experimental, precociously accomplished.” Poetry International

Urban Myths and Legends

I have a poem, ‘Yardang’, published in Urban Myths & Legends: Poems About Transformations, edited by Rachel Piercey and Emma Wright, and published by The Emma Press. It’s hard not to note how apposite the theme of this anthology is, particularly given the emphasis (which Wright notes in her introduction) on unwelcome, disturbing forms of […]

Tomboys

Tomboys is a limited edition (74 copies) signed pamphlet published by Tungsten Press, printed by Frank Turenhout and Hans Dessens on Zerkall Butten and Zerkall Restauro. It comprises three colour-concrete poems in the shape of (and concerning) Revolutionary Girl Utena, Cowboy Bebop’s Radical Edward and Miyazaki’s Nausicaa of the Valley of the Wind. A single […]

CONTROL ROOM, GameCity, Interactive Poetry

I made ‘Wounding Blisses’, an interactive poem/analogue fighting game, for CONTROL ROOM, an event I co-organised with Abigail Parry for the GameCity festival in Nottingham.Before I expand on that short paragraph, a little personal history: between the ages of 12 and 15 (estimated) I wrote and drew detailed plans for a number of different games […]

The Birdbook series, and Sidekick Books in general

‘Nightjar’, which won last year’s Poetry London competition (see this post) is included in the new Sidekick Books anthology Birdbook: Farmland, Heathland, Mountain, Moorland.Also included is an accompanying illustration of a nightjar, the style of which is based on World War 2 dazzle ship camouflage.My thanks to the editors of the book, Kirsten Irving and […]

Prac Crit & Beatrice Garland

A reminder to myself that I also do critical writing! A short close reading of ‘The Academy of New Words’ by Beatrice Garland appears in the latest edition of Prac Crit, a rather slickly rendered online journal of poetry and criticism with a separate viewing pane for the subject of the critique alongside the critique […]