“A poet of fantastic inversions.” Poetry London

“Multifaceted, mega-fabricated, louche architecture.” Magma

“Voraciously experimental, precociously accomplished.” Poetry International

Poetry London #87

Work under my name has slipped inconspicuously into the latest issue of Poetry London. I say ‘under my name’ firstly because both poems are collages, assembled from the thieved morsels of other writers’ work, and secondly because I think of them as being written by The Salvor, one of the characters in the book I’m working on.

The Salvor is only interested in reforgery; he doesn’t even really believe it’s possible to write or speak with one’s own voice, except inasmuch as one’s own voice is a secret recipe whose ingredients are the fragments of other people’s voices. You might say that is indeed the case, and that his position isn’t remotely controversial.

Anyway, The Salvor’s section of the book consists entirely of poems collaged from old British comics. The ones appearing in Poetry London this summer are made from Misty, a spooky girls comic, and The Perishers, a strip which ran in The Mirror for 50-odd years.

I’ve published two poems in this series previously (just in case you want to collect them): ‘Mars 1988′, a collage from The Eagle, in issue 152 of The Rialto (now out of print but borrowable from The Poetry Library), and ‘2000AD’, a collage from,er, 2000AD, which was published in the anthology New Adventures in Form (Penned in the Margins, 2012).

Additional note: this is the first time I’ve ever sent anything in to Poetry London! I have been published in two previous issues though, as a competition winner. If I keep it up, one day I might make cover star – hopefully before I lose half my face in a furnace accident or forget how to raise one eyebrow.

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